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Art for Lunch: Bronzino’s London Venus and the Four Stages of Illicit Love for Catherine de’ MediciSubmitted by Evelyn Kiefer on Thu, 09/07/2006 - 11:57.
09/21/2006 - 23:45 Etc/GMT-4 ART FOR LUNCH Slide/PowerPoint Lectures by will present With the recent arguments identifying one of the figures in Bronzino's National Gallery allegory as a personification of Syphillis, the painting can now be read as a moral lesson involving the four stages of illicit love. Giorgio Vasari wrote that the painting was sent to the king of France, who has usually been identified as Francis I. Prof. Olszewski will argue that the painting alludes instead to Henry II and his mistress, Diane de Poitiers, and may have been sent to his queen, Catherine de' Medici from the court of Cosimo I. Location
Case Western Reseerve University, Mather House
10900 Euclid Avenue North Campus between Belflower and Euclid, West of Ford Dr.
Cleveland, OH United States
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